

I'm always finding new 6-trait resources online. I'll include anything that will help writing instruction as well. Feel free to comment and suggest new resources! ~Den

I've done 3 traits so far this term and have never received such overall great writing from a class. The three or four that really shine have become 17 and 18. I am truly impressed with the improvement and excitement about their writing (and honestly - I'd put a lot of energy into my writing program BEFORE 6 Traits!). 


Looking for just the right book to present a traits concept?
6-Traits: Vickie Spandel
6-Traits: Ruth Culham
Great Writing Advice
Teaching Ideas & Content
Teaching Voice
Teaching Organization
Teaching Word Choice
Teaching Conventions
Earn graduate credits via online courses that support your professional development goals for licensure renewal, salary advancement and advanced certification.
Sign up soon to reserve your spot! Registration closes this week! to allow time for assigning user names, passwords and ordering/shipping the textbook.Classes are TOTALLY ONLINE. You may participate from your home or school computer. Registration is limited to 20 participants per section.Try this Six Traits Search Engine I built using a social search system called Swicky. You can vote for your favorite materials and suggest sites you'd like included in the search results. Go to the site and click on the keywords in the tag cloud. See what you think! ~ Dennis |

We are pleased to announce the launch of our new website, www.nwp.org. The new site beautifully showcases the depth and breadth of the work of the writing project, including resources that writing project colleagues have written and developed over many years.
Among the changes you’ll notice are
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Learn to teach and assess writing with the 6-Traits of writing (voice, ideas, word choice, organization, sentence fluency and conventions). Learn to use the 6-Traits with the writing process to teach revision strategies. Help learners meet higher standards and improve test scores.
Please forward this announcement to teachers in your district.Earn graduate credits via online courses that support your professional development goals for licensure renewal, salary advancement and advanced certification.
Sign up soon to reserve your spot! Registration closes ten days before the class beginsto allow time for assigning user names, passwords and ordering/shipping the textbook.
Classes are TOTALLY ONLINE. You may participate from your home or school computer. Registration is limited to 20 participants per section.As I dig into the course, I keep asking myself how I can efficiently and smoothly introduce the six trait framework to my students in a meaningful and engaging manner?
I suppose that I have more questions than answers! Currently, I frame my writing instruction in terms of genres more than traits, although I'm being strategic about introducing traits now that I'm in this course. So far, I'm having a blast and it's gratifying having new material and instructional practices to bring to class.
Relating what I do (or have done) to the ideas trait that we explored in module 3, I began the year by using Nancie Atwell's "writing territories" activity. The students attach the list to their writing folders and add to it once every couple of weeks. Clearly, recording the ideas is critical because they are so easy to lose! In class, we write about three days a week minimally, using quick-writes: question prompts, integrating weekly vocab. terms into a story or response, etc. Students also work building the genre pieces that I mentioned above (this is driven by the Vermont Writing Portfolio requirement).
Generally, we create a finished piece every six weeks or so with breaks here and there. The instruction is very process oriented and gives ample time to each stage, idea generating, research, prewriting, organization, writing, revision, editing, yada yada yada....
In addition to Atwell's idea generating process, I also picked up a couple of tricks from visiting author, Jack Gantos, who generates his content by making the memory maps as described this week's reading. These materials also go in student folders. The only addition or modification would be to make them as visual as possible, using small icons/sketches to truly illustrate the event and/or main characters. It's a fun, personally meaningful way to brainstorm and the kids discovered how many ideas they actually had at their disposal (this is, of course, after they complained painfully that they had nothing to put on their idea maps!).
The trick with the maps is to make them as focused or specific as possible. Jack Gantos, for example, showed us one that he created for his childhood years in Barbados, and one for his house. Each map could contain at least 20 stories! I also had the kids create a "life line" where they brainstormed and plotted a 20 events--highs and lows--over the course of their lives (that they could remember).
This activity also provided food for thought and stimulated the development of several very creative writing topics.The main reason that I like beginning with these types of activities is that they are conducive to sharing, they are visual, and the kids' ideas tend to build upon one other.
A last thought on ideas: throughout the writing process, I use a variety of graphic organizers to help students collect and select relevant details that support focus statements. This is one area, however that i'm looking to enhance. I have a couple of good resources on writing by Jim Burke (who seems to be making quite a name for himself recently). He's published through Heinemann Press--an excellent publisher.
Ultimately, my goal is to develop a growing resource of lessons and activities to help students practice idea development to in a variety of ways that they find engaging and fun, rather than tedious and arduous. Rather than make them groan and develop a rash when we discuss writing, my goal is to foster genuine enthusiasm and interest. Can pigs truly fly? Ideas?
This diagram shows how you might roll out a traits based writing process in your classroom:



When I was first told to "model" for students, I was terrified! I didn't want them to see that their teacher wasn't perfect at everything she does! :-) BUT, I soon realized how great it really is for students, and now I actually enjoy doing it.
This year, I got the most effort/product out of my students' writing AFTER they saw me struggle and "mess up" in front of them. When they realized that this is something that can only improve with practice and that even your TEACHER has a hard time thinking of things, they respond so well.
I find that they often try to help me come up with things to write--they want to help write my paper. When it comes to writing their own, they think about the help they gave me, and try to apply it to their own work.
I also think students have to see that writing does not start out perfect--they need to see the cross outs, the rewrites, the spelling mistakes, all of that. When they realize that it's OK to make mistakes intially, they have an easier time getting their thoughts down.
It doesn't always work, obviously, but it does more good than bad.

Question posted in class:
"My students have great difficulties generating ideas. My students have passion to get A+ but no passion to express their feelings. I really have to argue with some of my students trying to convince them that they must have some issues to write about, but they insist there are none! Perhaps the technology discussed in the lecture [Mind Mapping Tools] can help me to motivate them to become a bit more passionate about some topic for their writing."
Response from Mark:
"They are telling you what they are passionate about - their grades. So use it.
I teach to the same mentality in my district. And had a similar problem in reading last year. I struggled for a solution for the longest time until I was looking in a math binder for a mini lesson; of all places to find a reading solution.
My math professor got all of the math phobic students in the teaching program. He began the year by informing us that we were beginning with an "F" but that can change as long as we were willing to show, effort, willingness, and passion for this subject. Otherwise, he promised that we would wash out of the teaching program. I never had so much fun in math before, and you never saw a more passionate group about math in any class.
I used the same approach with my reading group... It took some setting up. I had to have a clear plan to insure most if not all of my students would do well, I had to convince my principal to let me do it and even with her approval, she was looking over my shoulder constantly; and I had a lot of heat from parents at first. But in the end the kids had a great time while Exceeding expectations, and the parents and district were happy with the results. I was too.
I tend to go with my instincts, my instincts say, if they do not meet your expectations then their grade should reflect their unwillingness to try.
I know that sounds harsh but, if you conference with them and tell them this is your grade unless you can use what I am teaching you, and passionately convince me you deserve a higher self selected grade this is what you will receive.
Then let the bidding begin through self-collected portfolios with letters that explain why these samples should be considered for a higher grade. Then give them your take on the samples along with suggestions for improvement. The more they have to haggle the more passionate their writing will become and the more they will pay attention to what you are teaching.
I can't say where but somewhere along the line the grade, or the need for a better grade tends to slip out of the mix, as the challenge that subject offers takes over. It happened to me as a student in the math class and I saw it happen to my students in my reading class. Their just comes a point where you know what your grade will be and who's responsible for that. At any rate writing is now connected to something important to them and becomes relevant; just a thought.
Melissa Replied:
Mark, I LOVE this idea. I teach "rough" kids with little to no motivation to go to school, let alone put in any effort to be there. However, I have noticed in recent months that a good amount of them have suddenly woken up and realize that they DO want an education and they DO want to make good grades.
Like many of the other people have said, they THINK that by merely turning in the assignment, it deserves an A. I like the fact that this is a "contract" with them--they still are empowered as they have the choice to do what is required to make the grade, or accept the low one; there are no surprises at the end of the grading period.
I wonder if I could implement something like this in my current job. We are starting a new novel in a couple of weeks, your project ideas sound great and could work. Hmmm....you've got me very excited about trying this. The only ones I would have to convince are my Principal and students (most of my kids don't have parents). I'll let you know if it works out. Thanks for the great info!
Mark replies:
Melissa, It would have to be brain stormed and changed for the subject and environment. When I went through it in math at each semester the professor would have us submit our three ah..ha moments in the class along with a reflection on each moment.
Since we were allowed to redo any paper as often as we wanted and he would re-grade as often as we redid the assignment all papers had to be without any mathematical errors. In addition he had us read autobiographies of mathematicians, books about numbers, and had guest speakers come in and talk with us about how numbers are used in the work place. We had to do a reflection on at least two of these events.
So each semester we turned in three assignments with rationale, two reflections on guest speakers, and our daily math journal, along with the grade we felt we deserved and how these papers supported our belief. That's how we were graded.
In my reading class, we read trade books - one of them from a past semester was a book called the Landry News. Each week they had vocabulary work they needed to do and a choice of activates that they would work on over the week and submit with what grade they felt it deserved. If it did deserve the grade I would enter the grade in my book and that was it. If it did not, I entered the low grade, returned the assignment with feedback and they were expected to re-do it over the weekend for re-submission on Monday.
If the paper was not resubmitted I sent a letter home explaining to the parent the grade their child chose to accept and remind them a new project was due on Friday. (That's where the heat came from). But they never missed more than one assignment.
Sample Assignments
At the end of the debate they were asked to complete this reflection on their performance in the debate and tell me what grade they felt they deserved. As long as they turned in all assignments, stayed on topic, in character, and contributed they got the grade they asked for. And believe me they were far harder on themselves than I would have been.
This is just one book and one example. For Letters from Rifika by Karen Hesse, they needed to make a CIA information slide show of the Tebrot family and their trip to America so that Rifika could be cleared to enter America. The list goes on...
Now, with my writing class I have never had to mention grades this year... They know my expectation. For my part, keeping what I want focused helps me target the specific missed assignments from each student very early on. This is how I do it. In writing I give them a week at the end of each trimester to put together a trimester portfolio with three things in it.
They know they need to be consistently working on these pieces. As soon as they select a portfolio piece they know they can redo (in their own time) as often as is necessary and I will re-grade it as often as they submit it. They are accustomed to thinking of the other assignments as targeted lessons that teach them things they can use to improve their portfolio. Because, I will re-grade portfolio pieces as often as they like they know all samples have to be strong in conventions. I give one-on-one help with the other traits in their sample, and they know they have to show improvement in some way. By the time they submit their trimester portfolio they already have a good idea what their grade will be.
And that's it. Is it a lot of work? yes… Is it worth it? YOU BET!!!"
